We’ve decided to focus specifically on Netflix’s sci- fi offerings and found 2. The list includes films as old as 1. There’s camp here—we begin with a flick whose protagonists must stay drunk to fight off aliens—but there’s also the more contemplative end of the sci- fi spectrum in films like Upstream Color and Perfect Sense. Here are the 2. 5 best movies currently streaming on Netflix: 2. Grabbers Year: 2. Director: Jon Wright. A surprisingly well- acted Irish/British indie sci- fi horror flick, Grabbers is unabashedly goofy but wholly professional and charming in spades. But then again, sometimes it's all Yay! Either way, knowing what's hot and what's not on TV - and by TV we mean Netflix - is an important part of. Netflix will eliminate most of its BBC programs by January 31 due to an expiring contract. Shows like “Doctor Who,” “Luther,” “Black Adder,” “Fawlty. The story follows an alcoholic police officer who has to face a new threat to a sleepy seaside community when octopus- like aliens begin emerging from the sea and killing townspeople. These “Grabbers,” as they’re quickly dubbed, have only one weakness: Human blood is fatal to them if it’s over a certain percentage alcohol. Therefore, to combat the monsters and make themselves unpalatable, the police and townspeople have an obvious choice to make: Get totally hammered and grab a bunch of weapons. That may sound rather close to the summary of a direct- to- video movie by The Asylum, but Grabbers is surprisingly intelligent, witty and well- written in such a way that it easily escapes a fate in DVD bargain bin hell.—Jim Vorel. The Hunger Games: Catching Fire Year: 2. Director: Francis Lawrence The Hunger Games: Catching Fire picks up six months after the original, on the morning of the Victory Tour, on which Katniss and Peeta will travel to the 1. Tributes and celebrate their survival, ending up once again in the opulent capital. At a loss for what to watch this week? From new DVDs and Blu-rays, to what's streaming on Netflix, we've got you covered. New Video on Demand, Rental Streaming, and.Working from a smartly adapted script by Simon Beaufoy and Michael De. Bruyn, Francis Lawrence emphasizes the story’s cynical critique of celebrity culture, of living one’s lives and loves for the camera, and condemnation of a one percent who drink potions to puke during parties so they can eat more while the rest of the country is starving. The Hunger Games: Catching Fire is a stellar sequel and a crackerjack middle chapter (the third book in the trilogy, Mockingjay, will be released as two separate films): revisiting what’s to love about the original, upping the ante and promising even more to come.—Annlee Ellingson. Monster Zero Year: 1. Director: Ishir? Honda. The direct follow- up to Ghidorah, the Three- Headed Monster broke some serious new ground for the series by fully fusing it with science fiction and space travel for the first time. The plot has a pretty cool concept, as a new planet is discovered, and its resident aliens request the help of Godzilla and Rodan in fighting their tormentor, Ghidorah. The aliens, however, turn out to be evil (aren’t they always?), and mind- control Godzilla, Rodan and Ghidorah before unleashing them on Earth. It’s great Showa series fun with a better- than- average plot, and it remains the only time Godzilla has been to another planet. Also: The most out- of- character Godzilla moment ever. Really, what were they thinking?—Jim Vorel. Re- Animator Year: 1. Director: Stuart Gordon. Ironically, the most entertaining take on H. P. Lovecraft is the least “Lovecrafty.” Stuart Gordon established himself as cinema’s leading Lovecraft adaptor with a juicy take on the story “Herbert West, Re- Animator,” about a student who concocts a disturbingly flawed means of reviving the dead. Re- animator more closely resembles a zombie film than Lovecraft’s signature brand of occult sci- fi, but it boasts masterful suspense scenes, great jokes and Barbara Crampton as a smart, totally hot love interest. Jeffrey Combs established himself as the Anthony Perkins of his generation as West, a hilariously insolent and reckless genius whom he played in two Re- Animator sequels. The actor even played Lovecraft in the anthology film Necronomicon.—Curt Holman. Vanilla Sky Year: 2. Director: Cameron Crowe. Cameron Crowe’s follow- up to Almost Famous was confusing, aching and beautiful, and the music and that played throughout its disorienting scenes—eerie selections from Radiohead, Sigur R. 20 new Netflix films and TV shows for September 2015: Including Keith Richards, The Hunger Games and all three Toy Story movies 20 new Netflix films and TV shows for. Plot Summary: The epic global phenomenon of 'The Hunger Games' arrives at its powerful final chapter with 'The Hunger Games: Mockingjay - Part 2' – in which Katniss. As a bonus, Crowe tossed Sigur R. The Fly Year: 1. 95. Director: Kurt Neumann. David Cronenberg’s Fly remake with Jeff Goldblum is great, but it’s much more visceral in tone from the camp of the 1. The worldwide phenomenon of The Hunger Games continues to set the world on fire with The Hunger Games: Mockingjay - Part 1, which finds Katniss Everdeen (Jennifer. Watch Movies The Hunger Games: Mockingjay - Part 2 2015, As the war of Panem escalates to the destruction of other districts, Katniss Everdeen, the reluctant leader. In fact, the original probably isn’t quite the film you might expect it to be—the camp and 5. In many ways, the film is more of a mystery than the science or horror it purports to be, revolving around the police investigation of why a woman killed her husband with a hydraulic press. Eventually it’s revealed that it’s the only thing there was left to do after he developed a bad case of fruit fly- head, but the build to that reveal is both effective and suspenseful. It’s one of the finest and most rewatchable films in the 1. Also: Vincent Price is there, so we rest our case.—Jim Vorel. Monsters Year: 2. Director: Gareth Edwards. Gareth Edwards’ 2. Earth, alien life that, if not purposefully hostile, sure kills a lot of humans. Photojournalist Andrew (Scoot Mc. Nairy) is tasked with finding his boss’s daughter, Samantha (Whitney Able) and getting her out of the now- quarantined Mexico. As a result, Monsters is quietly fascinating (even when the action heats up, shots are fired and tentacles flail). One doubts Edwards’ next monster film, a little something called Godzilla, will be quite so intimate. Nonetheless, the havoc wreaked by the King of Monsters come May will owe at least a small debt to the work this little sci- fi gem did in putting its director on the radar of Warner Bros.—Michael Burgin. Star Trek IV: The Voyage Home Year: 1. Director: Leonard Nimoy. DLNA, Apple AirPlay oder UPnP? Wer Multimedia-Inhalte im Heimnetz streamen will, hat die Qual der Wahl. In the United States: «The Hunger Games 3: Mockingjay - Part 1» dvd release date set for March 6, 2015. Netflix (dvd-by-mail) March 6, 2015. Redbox kiosk March 6, 2015. Following the classic Wrath of Khan, Star Trek IV: The Voyage Home helped establish the model of even numbered Star Trek movies being the best in the series. Taking place after the events of The Search for Spock, this installment finds the Enterprise attempting to save the Earth from a dangerous probe that is seeking communication with humpback whales. Being that these creatures have long been extinct, Kirk and crew must travel back in time to 1. Despite the franchise frequently bearing the reputation as a stodgy, cerebral space opera (though, I guess, not in the wake of the sexy reboot), Voyage Home does a lot to emphasize the franchise’s looser, more jokey aspects. The story is essential a fish out of water plot, with our favorite group of space explorers bumping up against the peculiarities of . Though, to their credit, the . Voyage Home might not touch Wrath of Khan in terms of sheer action and pathos, but it certainly remains one of the Enterprise’s most joyful adventures.—Mark Rozeman. Invasion of the Body Snatchers Year: 1. Director: Don Siegel. The 1. 97. 8, Philip Kaufman- directed version of Invasion of the Body Snatchers should appear on any shortlist of cinema’s best remakes, and it’s as chillingly effective today as it was then. A bleak, uncompromising film with a definite Cronenberg- like feel, it projects a sense of palpable desperation and hopelessness, as its human characters struggle against the impossibility of resisting a world- devouring organism that attacks from within. Donald Sutherland is as unsettling as ever (he may have played “crazy” more often than anyone else ever has), playing a health inspector who attempts to get to the bottom of what is causing average folks to be replaced by emotionless pod people. The film closes with one of the great, shocking scenes in sci- fi/horror history, and a final shot that probably traumatized more than a few kids for life.—Jim Vorel. The Brother From Another Planet Year: 1. Director: John Sayles. During the ’8. 0s, John Sayles established himself as a smart indie writer/director with a knack for social commentary. But only one of his films embedded said commentary into a zany sci- fi plot. The result is the story of a mute alien who looks like a black man with weird feet, who crash- lands in Harlem and meets the people of New York City. Joe Morton gives a stellar silent performance that, like the film itself, seamlessly moves from comic to empathetic.—Jeremy Mathews. Strange Days Year: 1. Director: Kathryn Bigelow. Before she reinvented herself as the director of award- winning docudramas centering on the War on Terror, Kathryn Bigelow made her name directing crazy genre movies like Near Dark and Point Break. With all respect to Point Break, however, Strange Days remains Bigelow’s most compelling pre- Hurt Locker/Zero Dark Thirty project. Written by Bigelow’s former husband James Cameron and Oscar- nominated screenwriter Jay Cocks, Strange Days is a pulpy, noir- influenced sci- fi pic in the vein of Blade Runner but with more high- octane action and a lot more nudity. Developed during the Rodney King/L. A. Riots era, the film is set in a dystopian Los Angeles where people’s memories and experiences are recorded directly from their brains and sold on the black market. Anyone who has ever wanted to experience criminal activities or perverse sexual encounters can now do so without repercussions. The trouble begins when vice- detective- turned- black- marketer Lenny Nero (Ralph Fiennes) discovers a “snuff” disc depicting the brutal murder of an acquaintance. This disc leads him down a rabbit hole of the L. A underground. While at nearly two and a half hours, the film might be a touch too long, its visual pyrotechnics and beautifully stylized performances provide more than enough ammunition to justify such excess.—Mark Rozeman. Robot & Frank Year: 2. Director: Jake Schreier. This comedy- drama from first- time feature director Jake Schreier has a light touch but a serious center. An aging ex- con named Frank Weld (Frank Langella) is starting to suffer enough health problems that his son (James Marsden) decides to buy his old man a robotic sitter (voiced by Peter Sarsgaard) who can keep an eye on him. Though plagued by dementia, Frank insists he doesn’t need a mechanical caretaker—until he realizes that this friendly service robot can help him return to his previous life of crime. The Hunger Games: Mockingjay Part 2.
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After you look at the Valkyrie Rune up close and see the degree of detail and the quality of finish, it’s kind of shocking that this utterly unique 1. It’s amazing that a huge company like Honda ever took the Rune past the concept- vehicle stage, that it took the time (6 years) and effort to build a limited- production piece of rolling art. The fact that it’s being built on an assembly line in Ohio also takes us aback. It’s remarkable that Honda let its designers stray this far out of their usual boxes, and that the designers could spread their wings and fly so perfectly when they were released from those boxes. We were surprised to learn that those designers — who dreamt of the Rune, who drew it, shaped it and championed every curve and angle through the processes leading to production — were mostly Americans. And finally we are dazzled by the engineers who took this vision of the Genuine Honda Custom and managed to turn it into production reality, to make it function to Honda’s considerable standards without compromising away the designers’ sensational vision.
The example most often cited by both sides of the issue is the Rune’s radiator. The designers found a radiator that looked right and fit the space they wanted to fill. The engineers found that radiator moved about 2. BTUs they needed it to handle. The engineers would have rearranged the surrounding parts, reshaped the front fender and stuffed a great big radiator in there. But the designers weren’t going for that. Shapes and part placement were critical to this motorcycle. In the end, the engineers had to come up with a very efficient radiator with compound curves that pleased the designers and met Honda’s tough standards for cooling. That scenario was repeated for almost every part of the motorcycle. In virtually every case, the designers got their way and the engineers came up with technology to satisfy the vision and Honda’s technical and functional requirements. Though we are impressed that Honda’s various motorcycle- creation divisions could meld such disparate requirements, we weren’t surprised to confirm that they had done so when we rode the bike. Though its size and radical styling scream that it should be a handful, we knew that Honda wasn’t going to manufacture a bike that was intimidating to ride. You will need a thick wallet to pilot a Valkyrie Rune, but an average riding portfolio will be sufficient. Timeline. While it’s true the Rune sprung from the fertile minds of Honda’s futurist designers, shades of this revolutionary machine were seen in real steel nearly 1. The Rune traces its lineage back through a line of concept vehicles all the way to 1. Honda revealed the radical Zodia at the Toyko Motor Show. Zodia. The Zodia was an innovative concept cruiser, a high- tech custom showcasing engineering concepts never seen in production, and styling that blended elements of classic retro lines with new- age futuristic technology. Some of the Zodia’s more shocking design elements, such as the trailing- link front suspension and single- side swingarm, are now seen in the Rune. The Zodia’s senuous body lines wrapped around many other unique features. Powered by a 1. 50. V- twin, the Zodia transferred engine power to the rear wheel via Honda’s innovative hydro- mechanical automatic transmission, the HFT (Human Fitting Transmission). Braking was supplied by unique rim- mounted brakes assisted by Honda’s latest generation of Linked Braking/Antilock Braking System. The T- Series Concepts. Three years after the Zodia first appeared, Honda revealed another concept machine, this one based on the Gold Wing’s horizontally opposed six cylinder engine. T1, as it was known, would be followed by three more concept bikes in the T- series, each seemingly more radical than the next. Valkyrie Iso PspDownload Valkyrie Profile Direct Downloads: wii iso, psp iso, ps3, ps3 and xbox iso. Download Valkyrie Profile . While all four began as Honda Research America (HRA) ideas and sketches, outside sources- including a master fabricator not connected with motorcycling in any way- were also tapped in order to push the boundaries of design beyond the usual limits. All the T- series concept bikes were shown to the public, and Honda carefully gauged public reaction. Of the four, T2 clearly triggered the most response. In fact, so strong was public opinion that Honda should build a motorcycle exactly like T2 that this perspective became the core objective of the Rune. Not surprisingly, the Rune and its T2 concept forebear appear nearly identical. Concept Type 1. First to be introduced to the public in late 1. T1 aims to evoke a hot- rod or muscle car image. Purposely abbreviated body parts shift the focus of T1 away from exterior parts and onto the engine. Based on a steel- tube twin- spar frame, the brightly painted frame members sweep back to lend a sporty image, one that is enhanced by the chromed, cast- aluminum swingarm pivot and stylized grab rail. The grab rail is faired into the rear fender (a similar treatment was given to the VTX), which is chopped for a shorty look and also sports an integrated LED taillight that produces a clean, uncluttered appearance in the rear end. The smoothly integrated tank/seat junction has also been echoed in the VTX, as is the handlebar- clamp mount for the speedometer- two more styling elements that make for sleek, clean lines. The design of the T1’s exhaust pipes has been loosely derived from sportbikes and muscle cars, thereby adding to the sporty, performance image. The rear suspension is a distinct departure from the Pro Arm single- shock design. A cast aluminum swingarm and a chrome- plated strut lead to a single shock that purposely peeks out from under the seat and fuel tank. Concept Type 2. T2 blends together a neo/retro persona; retro with respect to the deep fenders and low- slung tank that are evocative of lowered and chopped roadsters from the 1. Yet the T2 is cutting- edge with its use of a six- cylinder engine and aluminum twin- spar frame plus Pro Arm rear suspension. The radiator shroud transcends function to become a full- on styling element with sweeping curves that also hark back to classic roadster grills. On the T2, the single- sided Pro Arm swingarm stands out in its full glory; note the massive construction! Taking advantage of the right- side Pro Arm, the left rear quarter has been purposely left unencumbered to highlight the gorgeous rear wheel that is perfectly framed by the strong lines of the sweeping, flared rear fender. Notice the clean and functional look provided by the knock- off wheel hub. The beautifully integrated, faired- in muffler was kept short to keep the rear wheel area open, but it makes its own powerful statement along the way. The bold, massive look to the radical two- shock trailing- link front end lends a strong mechanical presence, further feeding the neo/retro presence. The unique dual- bulb headlight treatment includes a projector beam in the bottom portion, which gives the headlight a very different face. Note the painted headlight shell with the chromed cap. With the instruments packaged into the wing- shaped handlebar cover in futuristic style, plus the flush- mounted LED taillight/turn signals, the T2 offers a distinctly neo look from head to toe. Concept Type 3. The drag strip served as the inspiration for the T3, with styling aimed toward a more performance- based machine rather than a pure cruiser. Note the tubular steel frame, flawless hand- formed aluminum body pieces, and air scoops on each side, in keeping with the drag bike look. With a raked front end, bold pipes and short fenders, the T3 takes on a very businesslike appearance. The sweeping fan- shaped arrays of triple exhausts on each side tickle the eyes and tease the ears; with six- into- six pipes, what would this bike sound like at full chat?! Drag- style handlebar and an upright speedometer lend a functional air to the T3’s treatment, one that is capped off by the gigantic 2. The conversion to chain final drive is most appropriate. The front wheel presents a beguiling look; the brake discs bolt up directly to the wheel’s five spokes rather than through central disc carriers, creating an unusually open and airy appearance. The T3’s rear fender offers a nicely integrated, organic style treatment as it flows curvaceously forward and downward into the seat and . T4 was formed by the hand of master fabricator Mike Mc. Cluskey, a man who usually spends his time restoring Ford Cobras and vintage aircraft. Striking as the styling may be, it’s the flawless execution and expert craftsmanship that really stand out. The twin- spar frame consists of three sections of solid billet aluminum per side plus the steering head; all have been milled to shape, then welded together in virtually seamless perfection. Billet aluminum triple clamps top off the exquisite front end. The three pieces of the swingarm were likewise milled from billet, and the exposed- shaft driveshaft moved outboard for rear- wheel clearance. The driveshaft’s front and rear gearcases are also milled billet items. Even small, unobtrusive pieces such as the front engine hanger have been milled from billet; it’s a real piece of artistry in metal, squirreled away from sight. With flush- mounted allen head bolts and clearcoat finish over brushed aluminum, the T4 finish exudes a very mechanical presence. More than a styling exercise, the hand- formed aluminum chin piece also houses the radiator element within its vented confines. 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Co- produced by Keith Richards and Blue Note label boss Don Was, the dozen tunes here make prime use of Neville's voice, placing his high, smooth, vulnerable tenor way up front; he is backed by vintage- era doo wop singers and an all- star band that includes Richards and Greg Leisz on guitars, Benmont Tench on keyboards, bassist Tony Scherr, and drummer George R. Lenny Pickett helps out on horns and winds on a number of tracks as well. The production is clean, the musical backing used more as texture and color than as real support - - Neville and his vocalists offer all the impetus needed to pull this off (indeed one wonders what this set might have sounded like a cappella). The tunes are all classics. Standouts include Lieber & Stoller's . Ultimately, My True Story is a smooth, mostly laid- back, and soulful recording by Neville. He provides a healthy - - sometimes overly - - reverential respect for the original material. Aaron Neville-My True Story-2013-UNiCORN; Indochine – Black City Parade (iTunes Deluxe Maste. Apparat – Krieg und Frieden (Music For Theatre)-20. Coupled with his vocals, these restrained yet imaginative arrangements offer some surprising twists and turns. My True Story Aaron Neville. Aaron Neville – My True Story (2013) FLAC (tracks) 24-bit/192 kHz. Blue Note Records released Neville’s My True Story, a collection of 12 doo-wop tunes. First Listen: Aaron Neville, 'My True Story'. Email; January 13, 2013 10:30. 12 Albums We're Looking Forward to in 2013. Aaron Neville, 'My True. Aaron Neville: Doo Wop: My True Story Airs Monday. Give at the $120 level and receive the 'Aaron Neville: My True Story' CD & DVD combo. Aaron Neville My True Story (2013) Although Aaron Neville is often compared to singer Sam Cooke in terms of sheer vocal refinement, he has a voice and style. AARON NEVILLE: DOO WOP: MY TRUE STORY . 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